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Cannes Review: ‘Inside Out’…Another Clever Animation by Pete Docter

Riley in'Inside Out'
Riley in ‘Inside Out’

Pete Docter brought back another great animation to the 68th Cannes Film Festival and before the big screen inside the Grand Theatre Lumiere threw out Pixar’s logo last night—fans outside the theatre kept screaming while Pete Docter pulled funny faces on the red carpet.

In 2009, Pete Docter’s animation-UP opened the Cannes Film Festival despite concerns from many film critics and enthusiasts that it could be a disaster to open the prestigious film festival with an animation. It was certainly a worthy risk as the film received rave reviews and literally got people crying…

For this year, Pete Doctor’s ‘Inside Out’ does not only give more hope to the world of animation films with another great reception at the Cannes, it has actually become the festival’s most talk about movie over night—and the presentation of what goes on ‘inside’ alongside the ‘outside’ of a young girl could not have been brilliantly done beyond what was achieved.

Director- Pete Docter starts ‘Inside Out’ with the birth of a baby girl-Riley but the deeper meaning is; that scene was the beginning of consciousness which sets forth the journey of how this baby was going to develop the needed human personalities.

Before baby Riley could give out her first smile to the outside world, Pete Docter took us ‘Inside’ where a yellow sprite called Joy (voiced by Amy Poehler) popped out, and pressed a single button on a polished stand. With the button pressed, Riley giggled and her eyes opened—to the full excitement of her parents who held her in their hands.

Now that Riley has arrived, the story begun to develop with viewers being constantly shuffled from the ‘Outside’ where Riley, her parents and every other person lived—to the ‘Inside’ where the headquarters of the various emotions that determined Riley’s behaviour ‘Outside’ was stationed.

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