Shirley Frimpong-Manso has decided to dare her audience with an unexpected radical shift in her style of story-telling—seemingly temporal but the fact remains; ‘Rebecca’ is nothing like any of the movies we’ve seen from the multiple award-winning filmmaker.
Considering Shirley Frimpong-Manso’s scenery and costume strength, it surely must have been a film-making escapade to forgo her strong holds and forge forward to tell a story this way; which she brilliantly delivers but would require a certain level of broad attentiveness to fully appreciate the film.
‘Rebecca’ opens with a scene of two people sitting at the back of a Range Rover in a middle of no where, and for the entire duration of the film, that’s the location—it’s one of those odd two actors’ movies with mostly everything taking place at one location.
‘REBECCA’ Review: Betrothed by Parents But Found Connection through Great Conversation
